Ink And Wash, Fashion, Interpretation Of Pure Chinese Elements

Introduction: now China has become the world's largest textile and clothing production, export and consumption country. In the public impression, the French dress is romantic; the British clothing is avant-garde; the American fashion is fashionable; the Italy clothing is exquisite, then, what is the biggest characteristic of Chinese clothing? What is the source of Chinese national culture that she should reflect?

In recent years, Chinese elements have been widely used in the field of costume design both at home and abroad, and Western clothing designers have been successful in excavating ancient Oriental bright and mysterious culture.

In China, the cultural elements of traditional China have become the "angels and demons" in the hands of local fashion designers. On the one hand, designers are playing with the concept of new icons, but sigh for ingenious ideas that are always behind the western design circles. On the other hand, they are entangled in the perfect combination of national culture and fashion.

As a result, many local designers lost themselves in different contexts of "craftsmen", "avant-garde" and "art".

Faced with the "collective aphasia" on the international stage of Chinese clothing brands, people can not help asking: when will the Chinese wind blow to the world?

In October 25, 2010, he was once a fashion figure in China's fashion industry. He led his team, after a few years of silence, accumulated a lot of money and returned to China through the 2010 China International Fashion Week in Beijing. With the national treasure "painting Kui" as the soul, the the Imperial Palace collection as the soul, with a graceful gesture of independence and independence, all the fabrics were creatively painted into the various kinds of fabrics, miraculously blending Chinese excellent classical culture with modern fashion, bringing a refreshing Chinese fashion show to the world, and announcing what the pure Chinese elements are to the world with action.

Silky satin, crisp Eugen gauze, White Chiffon, and even luxurious fur, under the creativity of the design team led by Bo Tao, are all accompanied by enjoyable landscapes, splashed ink flowers and birds, or smart characters. These fashions convey more than just movement and fluency, elegance and ingenuity, but also show the realm pursued by ancient Chinese art masters in their creation. This is also the essence of all Tibetan paintings -- the artistic conception of harmony between man and nature.

This is the first time that Chinese designers have studied closely the meaning of ancient paintings, and refined the essence of intercepting and combining them with the costumes. In a sense, this is not only a tribute to the ancient Chinese outstanding artists, but also a turning point in the Chinese fashion design industry. It is a bold practice and innovation of Chinese local designers in inheriting the excellent history and culture of ancient China.

Mr. Yang Danxia, a famous expert in ancient Chinese painting appreciation, remarked after watching this unusual fashion show: "with the past as a disciple, the past and the present are not at all benevolent. I am the law."

According to the introduction, the 60 sets of costumes shown by Bo Tao are used for reference to more than 50 Tibetan paintings in the Imperial Palace, including Lang Shining's flower and bird pictures, Xu Wei's "ink grape grapevine", Jin Nong's "Mo Mei Tu", Lan Ying's "peach blossom fishing hidden map", and Xiang Sheng Mo's "tree and wind chart" and so on.

Seeing the perfect interpretation of models on the T stage, the flow of ink and wash is like the rhythm of one's life, and the thin waves say passionately: "Chinese clothing is short of big brands, and the future of China's clothing brand is there. Our nation has such a rich history and culture. The ancients have created countless art works. We grew up in such an ancient civilized country. Chinese fashion designers must be rooted in the local area and derive nutrition from them. This is also one of the purposes of this conference's clothing design -- to create a brand of Chinese clothing culture."

Speaking of the source of inspiration for this fashion design, Chinese traditional culture, "Bo Tao", who has been collecting ancient art collections for many years, said.

"Chinese clothing has been" looking west ".

We do not exclude good looks, but that is not ours.

In fact, tradition and fashion are intrinsically linked.

The key is that we must really understand our own culture and show the most powerful and popular features and symbols in Chinese culture.

Today, there is no lack of "Chinese elements" in our life, but there is a lack of wisdom to sink down, to study, to experience and to digest and sublimate.

For the audience, there is nothing more impressive than watching an innovative cultural fashion. Besides, this kind of innovation contains too much effort and expectation, and higher artistic value and practical value.

The concept of advanced and cutting fashion is a wonderful concept of fashion design. This brings people not only a simple concept show, but a real dialogue between classical culture and modern fashion. The exchange of sparks and collisions has brought the fine and precious traditional Chinese culture to inherit and develop, and has opened a door for Chinese clothing industry to create its own cultural brand.