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A Fiber Full Of Enthusiasm And Imagination.

2009/1/3 10:47:00 45

The effect of modern fiber art is difficult to depict with paper and pencil. It combines the expressive function of painting and sculpture, and combines the planar and three-dimensional features.

The Fifth International Biennial of fiber art from Lausanne to Beijing has brought audiences into this strange but closely related art.

The "fiber art" event has been held from Lausanne, Switzerland to Beijing, China for five sessions.

At the end of November 2008, the Fifth International Biennial of fiber art from Lausanne to Beijing came to Shanghai.

The exhibition is organised by Tsinghua University Academy of Fine Arts and China Arts and Crafts Association, fiber art Specialized Committee.

"No material is so old and so modern. No artistic language is so rich and colorful, and the language is so intimate and intimate."

Architects often evaluate fiber art as the warmest art in modern architectural space.

Therefore, when the construction technology of fiber tapestry, fiber wall sculpture and fiber installation art, concept art and large fiber art are built into the public view with the display of advanced bedroom, it seems that this strange art category is directly integrated into our real life.

The Biennale is selected in the red star, which combines the fiber art with the public life space, and shows how to change the environment in the space of home, office and so on.

Artists imagine the richness of the color world and fiber fabric soft texture, unique shaping ability, so that the wall decoration is neither flat painting, nor is it full of strength but hard relief; when people stick it through, when the air between the sleeve, the end of the fiber seems to be wobble, and even speak on one side, also can feel the subtle influence of the works.

This is the intimate distance and warmth that no art form has ever experienced.

More than half a century ago, Jean Rulsa, a French artist known as "the father of modern tapestries" and his friend Peter bale, had been planning 15 "Lausanne international tradition and modern Tapestry Art Biennale" before and after hard work. It attracted the attention of artists from different countries and different fields to fiber art, and aroused unprecedented enthusiasm for creation. New ideas and methods of expression made it gradually get rid of the traditional tapestry art.

In 1996, the Lausanne Biennale was announced to be closed due to its content and financial reasons, which, to some extent, made the international fiber art lose its center of activity and stage.

Professor Lin Lecheng, a famous Chinese fiber artist and Tsinghua Academy of fine arts, is the first person to know that the Lausanne Biennale has been suspended in the Chinese fiber art circles. He decided to continue to hold the international fiber art exhibition in China.

In October 2000, the first International Biennial of fiber art from Lausanne to Beijing was opened in Beijing. At that moment, Beijing "inherited" Lausanne and became the center of the world's contemporary fiber art.

Contemporary fiber art has gone beyond the ancient concept of Jingwei weaving. It is no longer an art category parallel to traditional projects such as painting and sculpture, but more is a highly inclusive art platform. All existing art forms can intersect with it and elucidate new meanings, thus enriching this beautiful and independent artistic language.

From the fifth Century Palekar J fabric in Peru in the fifth Century to the woollen tapestry of the Han Dynasty in the second Century of the Han Dynasty to the present fiber installation and conceptual art, its artistic forms are more colorful than people's imagination.

Fiber art has both the expressive function of painting and sculpture, and combines the planar and three-dimensional morphological features.

At the same time, the physical and chemical properties of fiber material itself give it the function of keeping out the cold, warming, moisture-proof, light absorbing and sound insulation. Therefore, it constantly gives viewers a new experience in vision and touch, form and function.

As Kivi Kandareli, a famous Georgian fiber artist, said, "the effect of modern fiber art is hard to depict with pen and paper." GiviKandareli

Unfortunately, the Biennale to Shanghai is exhibiting relatively few works and unable to display large-scale installations due to site reasons.

However, the limited works still include works such as Luis Lemiks Biruba (Louise Lemieux B rub), Joan Schulz (Joan Schulze), Nancy Kozikowski (Nancy Kozikowski), Robert Huddleston (Robert Huddleston) and Bernard Lehman (Bernhard Robert) and other international heavyweight fiber artists, although the form is basically tapestry, simple, but also more easily accepted.